Scientific Name: Guibourtia ehie
Origin: Native to West Africa, primarily found in Ghana, Nigeria, and the Ivory Coast.
CITES Status: Not currently listed under CITES regulations, but sustainable sourcing is encouraged due to increasing demand.
Use in Guitar Making
Ovangkol is used for acoustic guitar backs and sides, as well as fingerboards and bridges. It is sometimes used as an alternative to rosewood, offering similar tonal properties but with a slightly different visual aesthetic. Due to its durability, it is also a popular choice for necks in some electric guitars.
Tonal Properties
Ovangkol has a tonal profile that falls between rosewood and mahogany. It delivers a full-bodied sound with strong bass, clear trebles, and an overall balanced response. Its slightly brighter high-end and pronounced midrange make it versatile across various playing styles.
Hardness and Workability
Janka Hardness Rating: Approximately 1,360 lbf (6,000 N)
Ovangkol is a medium-to-hard wood, making it durable but relatively easy to work with compared to denser hardwoods. It glues and finishes well, though its slightly interlocked grain can pose some challenges during machining.
Grain Structure and Porosity
Ovangkol features a medium to coarse texture with an interlocked grain. Its coloration varies from golden brown to darker brown with subtle striping. The grain is moderately open, so it may require grain filling for a smooth finish.
Sustainability and Ethical Considerations
While not currently listed under CITES, Ovangkol is subject to increasing demand, and sustainable forestry practices are encouraged to maintain long-term availability. Many manufacturers source it from responsibly managed forests to ensure ethical use.
Ovangkol remains a strong alternative to more traditional tonewoods, offering durability, tonal versatility, and a unique visual appeal. Its sustainable use will depend on responsible harvesting and continued reforestation efforts.
